Warriors (2015): Maasai Cricket Warriors Take on FGM and HIV/AIDS

Warriors film - Sonyanga standing by river

Hunters. Warriors. Cricket players. Maasai culture is fiercely guarded, beautiful and distinctive from the outside yet like many cultures, rigid and opposed to change on the inside. In a world of change, the Maasai adopt a strong cultural identity and adhere to age-old traditions, beliefs and values.  Recently, a wave of change has moved through a remote region of Kenya and at its centre is the Maasai Cricket Warriors team.

With an estimated one million cricket teams in over 106 countries, there is but one team made of Maasai warriors. Warriors is their story. Directed and produced by Barney Douglas and produced by Michael Elson, Warriors is a powerful documentary that tells not only the story of this group of young Maasai warriors, the formation of their team and negotiation with tribal elders for a patch of training ground, but also the astounding way in which they challenged beliefs about female genital mutilation (FGM) and HIV/AIDS.

Warriors film - Daniel batting

Illustrated by sequences of brilliant animation, we learn that the principles of hunting and fighting are not all that different to cricket and so it is that the Maasai Cricket Warriors play in their warrior clothes and connect their sport and culture. This is a team that emerged out of nothing yet somehow convinced tribal elders to donate a patch of land which the British Army helped level and develop into a cricket training ground. For these young men, nothing can stand in the way of their dreams.

If you try to awake the lion sleeping in you then you can do whatever you have ever dreamt of doing.

If young Maasai men can smash through cultural boundaries and realise their dreams, it is another story altogether for young Maasai girls. Circumcised and married off from as young as 8, 9 or 10 years old, young Maasai girls have little access to secondary education and even less say in their own lives. Even worse are the prospects for girls who conceive before FGM – they are considered disposable and worthless to their fathers, incapable of earning them a dowry.

While many cultures would see boys triumph on the repression of girls, the Maasai Cricket Warriors are different. Determined to include girls in their sport and spread the word about both the dangers of FGM and its links in the transmission of HIV / AIDS, the team is one cog in the wheel of progress that is bringing change to this remote region.

Warriors film - Francis

In an incredible tale that sees the team visit London to participate in the Last Man Stands cricket finals we get to see Maasai warriors on the Tube, in Trafalgar Square and on the London Eye. Their performance in the tournament isn’t as successful as they’d hoped but their experience helps to open the eyes of tribal elders and earns them a new found respect.

The Maasai are very skilled people and there are a lot of things that white people have seen us do. But there are some things that spoil us, like circumcision of girls.

Warriors is a visually stunning film captured primarily in the dusty plains of Kenya. It is a tale of hope and determination and the power of dialogue in bringing change. The film is accompanied by an energetic and eclectic soundtrack featuring “Falling Down” by Oasis, “Heaven, How Long” by Mercury Prize nominated East India Youth and “Neon Citied Sea” by Cosmo (the solo project of Felix White from UK number one band The Maccabees). Kenyan artists Jimi Mawi & Afro 70 are also featured. The animation in the film forms a powerful connection between the mysticism of the Maasai warrior and the achievements of the team – my favourite sequence was the soaring of the eagle as the team’s plane embarked for London.

Powerful and inspirational, I have no hesitation in recommending Warriors to crickets fans, activists and other interested human beings.


The film will be released in the UK on 13 November 2015 and will be screening in the following locations:

Friday 13th November - London Picturehouse Central, UK - OFFICIAL UK PREMIERE with Q&A + Special Guests Buy Tickets

Saturday 21st November -Birmingham Electric Cinema, UK - with Q&A Buy Tickets

Sunday 22nd November - Brighton Dukes at Komedia, UK - Buy Tickets

Monday 23rd November - Nottingham Broadway Cinema, UK  with Q&A Buy Tickets

Tuesday 24th November - London Regent Street Cinema, UK Buy Tickets

Wednesday 25th November - Bristol Watershed Cinema, UK Buy Tickets

Tuesday 1st December - Glasgow Film Theatre, UK Buy Tickets

Wednesday 2nd December - Glasgow Film Theatre, UK Buy Tickets

Thursday 3rd December - Glasgow Film Theatre, UK Buy Tickets


Warriors Film Website | Twitter | Facebook |#WakeTheLion

Malala Retells Her Story in New Teen Edition

I Am Malala - Teen

It was a story that resonated around the world. In October 2012, 15-year-old Pakistani blogger and activist Malala Yousafzai was targeted for assassination by the Taliban for her work in re-opening local schools for girls. She was flown to Birmingham, England for treatment and on recovery, went on to work tirelessly for the rights of women and girls. She worked with Christina Lamb on her memoir I Am Malala: The Story of the Girl Who Stood Up for Education and was Shot by the Taliban, notable for its rich insight into the Taliban and Pakistani treatment of women and girls. In 2014, Malala was joint recipient of the Nobel Peace Prize for her work in defending the right of all children to an education.

What people often forget is that Malala is still just a teenager and now she has retold her story for her peers. I Am Malala: The Girl Who Stood Up for Education and Changed the World begins with those fateful words:

After 15 January, no girl, whether big or little, shall go to school. Otherwise, you know what we can do. And the parents and the school principal will be responsible. 

I Am Malala (Teen Edition)Working with National Book Award finalist Patricia McCormick, Malala takes us from the very first Taliban announcement regarding girls’ schooling, through to her activism, assassination attempt and recovery in the United Kingdom. Targeted at young people Malala’s own age, this retelling is less rich in detail and background but gives the reader more insight into the events as they unfolded, from the public’s initial disbelief at the Taliban’s pronouncement to the dawning realisation of their deadly intentions.

Malala talks about girls being banned from school, of seeing explosions, fear and repression in her homeland and she speaks about it in a format that will be more easily accessible by middle-graders and early teens. We learn that Malala is a teen just like any other. She loves cricket and gossiping with her friends. On the day of the shooting, Malala notes how normal everything seemed.

I was late, as usual, because I’d slept in, as usual. I’d stayed up extra late after talking to Moniba, studying for my year-end exam in Pakistani studies.

The last thing Malala remembered that was was thinking about her exams then darkness.

I Am Malala: The Girl Who Stood Up for Education and Changed the World is available to buy on paperback in the UK from from October 2015. The book is currently available on hardcover in the US but will be released in paperback on in March 2016. i would highly recommend this edition to younger readers who might have found the initial memoir too advanced to read.

From Lynchings to Police Brutality: The Words of W.C. Handy ResonateToday

I'm reading a book called Hear My Sad Story: The True Tales That Inspired "Stagolee", "John Henry" and Other Traditional American Folk Songs.

In the book, author Richard Polenberg describes the effect of a particularly brutal lynching on American composer W.C. Handy and his subsequent decision to leave the South.

Handy reported his reaction, a mixture of horror, anger and depression: "All the savor had gone out of life. For the moment only a sensation of ashes in the mouth remained." - Richard Polenberg, Hear My Sad Story: The True Tales That Inspired "Stagolee", "John Henry" and Other Traditional American Folk Songs

In a later incident, recounted by Polenberg in the book, Handy recalled appealing to a law enforcement authority for protection, whereby he was scoffed at and his attacker was assisted instead.

Handy moved to New York in 1918, almost a century ago, but I'm struck by the significance of these events today and the similarities to the Sandra Bland case. Black and brown people in America, the UK and around the world are still being subjected to racial violence; they continue to witness these attacks on fellow citizens (through the medium of film and social media, if not in person); and they continue to suffer a form of post-traumatic stress due to the relentless nature of these attacks.

Just as Handy described his devastation, so people today are overcome by the pervasive, racist and violent attacks in our society today.

Hear My Sad Story: The True Tales That Inspired "Stagolee", "John Henry" and Other Traditional American Folk Songs is published by Cornell University Press and will be released in November 2015.

Living the Lessons of Srebrenica (Event at Wiener Library)

Tonight we attended the "Living the Lessons of Srebrenica" event at the Wiener Library for the Study of the Holocaust & Genocide in London. It was one of hundreds of events taking place across the UK this week to commemorate the Srebrenica genocide in July 1995. 

Munira Subasic

We first heard from Munira Subasic, president of Mothers of Srebrenica. Ms Subasic spoke through a translator but I'd like to record some of what she said. 

On the continuing struggle to locate, identify and bury the remains of the victims of the Srebrenica genocide: 

If a human being doesn't have a place to show where they lived, it doesn't show that they existed. 

Ms Subasic talked about reaching out to other mothers' organisations but those who did it won't admit it, won't admit there was a genocide. Without admission, there can be no reconciliation. 

"Many women who were abused are not able to have their own children or have relationships with men. A whole generation is disappearing". 

Ms Subasic mentioned that the people who committed the crimes are still there, still abusing them. 

"People say things are moving forward but Mothers of Srebrenica wish they had two lives: one for waiting and one for enjoying our lives". 

When asked whether it would help if lower level perpetrators admitted their guilt, Ms Subasic explained that after the Holocaust, it was accepted that it happened. With Srebrenica, they are dealing with such total denial that no one is admitting it happened. 

"They found only two bones of my son. It is very difficult to move on not knowing how he died. They dragged him from my arms". 

"Those who committed genocide think they are national heroes. I am very happy with who I am today. I'd rather be a victim than a war criminal".  

The next speaker was Dr Gill Wigglesworth who spoke about the lessons from the International Criminal Tribunal for the former Yugoslavia. She gave a fascinating overview of the legal situation and the different levels of proof required by the ICTY and ICJ when hearing genocide cases. 

Dr Wigglesworth mentioned a different level of justice, restorative justice if you will, whereby Serbia or Croatia issues an apology for the crimes. Serbia has done so but that was only because they want EU membership whereas Republika Srpska have no such impetus and therefore there is very little chance of an acknowledgement or apology. 

Alex Buskie

Alex Buskie of the United Nations Association UK spoke next on the responsibility to protect.

She examined how the United Nations learned from their mistakes in the 90s and 00s and how the Responsibility to Protect doctrine came to be adopted in 2005. 

She mentioned that failures in the past stemmed from inattention, indifference and misjudgment or a perceived contradiction between the desire to protect a population vs the desire to protect a group of individuals. One concept that Ms Buskie reiterated several times was that the UN is a meeting of nation states, that they have no specific power as an organisation and they can only go so far as their members allow them. 

Ms Buskie then took us through the three pillars of responsibility to protect and what we are protecting against (ethnic cleaning, genocide, war crimes and crimes against humanity)

Finally, Ms Buskie admitted that the UN is struggling and that the R2P has only recently been adopted. Having watched the UN reaction to Syria and the continued yet fruitless motions, I found this especially frustrating. Ms Buskie dis highlight how the security council should have briefings earlier on in future and how the organisation needs to adopt a company-wide commitment to upholding human rights but they have a long way to go. 

Finally, Jasvir Singh of City Sikhs UK spoke about his own visit to Sarajevo and Srebrenica and how moving the experience was for him. 

He spoke of the parallels to be drawn with the Sikh genocide and how friends and neighbours turned on each other. Mr Singh had an important message about how easily a situation can deteriorate and he hinted that such a situation is not impossible even in the UK. He highlighted the role of interfaith organisations in establishing commonality and ensuring that communities can maintain their faith while living in peace with those of other faiths. 

The event was then wound up with a very interesting discussion. I was most impressed with how we tackled some controversial topics with respect and consideration.

This event was organised by Remembering Srebrenica, City Sikhs and the Wiener Library. We received a copy of the excellent “Remembering Srebrenica” publication which I was very pleased about.


Remembering Srebrenica

A discussion with Stephanie Hepburn, author of Conversation With My Daughter About Human Trafficking

The reality of human trafficking is often so horrific that it remains one of the most difficult subjects to discuss with children.  How does one get into a conversation with children about how individuals are tricked, extorted and enslaved without exposing them to ideas that may be too mature for them, such as sexual exploitation, rape and the murder of their loved ones? How do we impress upon them that this is not just something that is happening in a far away country but something that is happening in our own city?

ConversationwithdaughterThese are questions that Stephanie Hepburn was confronted with. After a decade of working in the realm of human trafficking and releasing the book Human Trafficking Around the World: Hidden in Plain Sight, Stephanie had a conversation with her daughter about human trafficking and realised that other parents would no doubt have this conversation too.

In Conversation With My Daughter About Human Trafficking, beautifully illustrated by James Guthman, Stephanie takes us through some of the questions that her daughter asked and the answers that she gave. The book is an excellent starting point for discussions on this difficult topic and will be of great use in classrooms and homes to get children talking and thinking about human trafficking and how they can identify, understand and prevent this phenomenon in their own environments.

We caught up with Stephanie to discuss the book and her experience in the field of human trafficking.

How did you become interested in human trafficking?

The impetus was my move to New Orleans in February 2006, not long after Hurricane Katrina devastated the city and Gulf Coast region. The infrastructure was destroyed and there was a sudden demand for low cost labor, which allowed opportunity for unscrupulous people to step in. This was compounded by the decrease in law enforcement in the city and also federal under-enforcement of temporary work visas. 

I saw red flags of exploitation and human trafficking all over the city and it made me realize that it can happen anywhere, not just somewhere far away. I began digging deeper and adding more nations as I went along. I ended up compiling my findings in Human Trafficking Around the World: Hidden in Plain Sight, which was published by Columbia University Press in 2013. 

How did the idea for your book Conversation With My Daughter About Human Trafficking evolve?

After pulling my head out of the research world and talking to people about my book, I was able to learn what everyday people think about the issue of human trafficking. Adults are often wary of looking uninformed so these conversations, while useful, often seemed indirect. Eventually, I would figure out the piece (or pieces) of the puzzle they were missing and I could address it, but it took a while to get there. 

Children are the opposite. They are unabashed in their curiosity and they say what they think and aren't overly concerned about seeming informed, so misunderstandings and areas of confusion are easier to identify. Kids are also awesome little people who are our future, so figuring out how to talk to them is essential for the future of humanity. Getting them to understand what to look out for and what red flags to identify in traffickers and victims creates an entire generation of eyes and ears that are way ahead of where we are now. 

In your experience, which aspect of human trafficking is the most difficult for children to comprehend?

I think for my daughter the challenge is understanding why someone wouldn't just run away. Physical chains are something she can understand but the concept of psychological chains is more difficult. 

How do you envisage that the book should be used?

I hope that parents read it and, when they think it's right, share the topic with their children. It's a difficult topic and my objective was to create an easy how-to guide on how to talk about it. The language is written in a way that parents can read it to their children. The graphics were created for that reason as well. That way parents can use it in multiple ways, whether as a tool for ideas on how to approach the topic or as a book to read with their children. 

What feedback have you received so far?

The feedback has been overwhelming and positive. I have come to a point where preaching to the choir (advocates and others involved in the anti-trafficking realm) just isn't enough. Real impact will happen when your average person has a greater understanding on the topic. That said, reaching your audience is always the challenge. In this case it has worked and people are reading it and passing it along. I feel extremely happy about that. 

The book is beautifully illustrated by James Guthman. Can you tell us a little bit more about his illustrations and how you came to work with James?

A colleague recommended him and sent a few pictures of his paintings and illustrations. He's very versatile and was able to capture the look I wanted for the book. It was important to me that the book contains a universal feel to it since human trafficking happens everywhere. So often this issue is unintentionally represented as happening to people in only a few parts of the world, based on the visuals used in tandem when the issue is reported. As a result, we chose a color pallet that does not indicate a specific race or region of the world, and to create vignettes when people are depicted in the story. The color pallet also had to mirror the tone of the book without being too visually depressing. It's a hard subject, so striking the tonal balance was important, and he did a really great job with it. You can check him out on Instagram at

Are there plans to release the book in paperback or hardcover or will it remain an ebook?

For now it will just be an ebook. I don't know what the future holds. Paperback would be fantastic!

Together with Rita J. Simon, you've written another book about human trafficking Human Trafficking Around the World: Hidden in Plain Sight. Can you tell us a bit more about that?

I talked a bit about the impetus above. The book took exhaustive research and time. In many ways it was my education on how to get one-step closer to communicating with the mainstream population on this topic. It contains narratives, which I find essential because people relate to stories. It also contains meaty statistics, which help to create perspective on the prevalence of human trafficking. It really is a great book for those who have been introduced to the topic and want to know more. I would say it's step two in reading after Conversation With My Daughter About Human Trafficking

This was actually your second book with Rita, the first being Women's Roles and Statuses the World Over (Global Perspectives on Social Issues). That sounds really interesting. Can you tell us a bit about the issues you covered in that book?

This book was a turning point for me. I was in law school at the time and sick of my female peers having a negative knee-jerk reaction to the term feminism. Many of my friends would start off a conversation with "I'm not a feminist or anything but..." They worried they wouldn't be taken seriously if they were thought to be a feminist, which somehow has become synonymous with extremism. It isn't. It just means that the person believes women and men to be equal. That's it. Anyhow, I decided to write a paper, for one of my law school classes, that was just based on law and empirical data to illustrate where women actually stand in the U.S. My professor Rita J. Simon asked me if I wanted to turn it into a book. I did and I added on 25 other nations. It was eye-opening for me as I hope it was for readers. We have a long way to go. 

What are you up to next?

My objective to bring awareness on labor exploitation and human trafficking to the mainstream world triggered me to open Good Cloth, an online ethical clothing shop, this past October. During the media junket of Human Trafficking Around the World: Hidden in Plain Sight I quickly realized that people wanted to know how to purchase ethically and to ensure that no one was harmed in the process. They, in essence, wanted to vote with their dollars for ethical change and corporate responsibility. Fashion is an ideal arena for informing people about human exploitation and positive changes they can make. People don't like feeling helpless, which is easy to feel when you hear about the horrors of human trafficking. This is a way for people to make positive decisions in their day-to-day life that actually make an impact. It makes the customer feel great and does a great deal for starting the dialogue about corporate responsibility and spotlighting designers who are taking excellent measures to protect workers and the environment. 

Through the shop and my journalistic pursuits I will continue to try to reach the mainstream audience about this important topic. 

About Stephanie Hepburn

Stephanie HepburnStephanie Hepburn is an independent journalist whose work has been published in the Guardian, Huffington Post, Americas Quarterly and the journal Gender Issues. She is a weekly and monthly contributing writer for the New Orleans Times-Picayune. A graduate of the University of Michigan and the Washington College of Law at American University, she integrates her legal and journalism backgrounds to create pieces that are highly informative and have a human tone. Her book with Rita J. Simon, Women's Roles and Statuses the World Over, was named an Outstanding Academic Title by Choice. Her second book Human Trafficking Around The World: Hidden in Plain Sight was published by Columbia University Press in 2013.

Conversation With My Daughter About Human Trafficking is available on and